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This film is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director E. Tailfeathers (Blackfoot & Saami) delves into the dissolution of her parents' mythic love story.

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An unexpected phone call sends two sisters out into the inner city streets as they try to escape another stint in foster care. Over the course of the night, their journey reveals the community of their gritty neighbourhood, and how easily innocence can be lost.

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Working in the frigid and desolate North has its challenges so when an invitation for drinks with new friends is presented, the Lady readily accepts. Unknowingly becoming the pawn in a game, the Lady finds herself treading the  line between defiance and disappearance.

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When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her.

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It has been consciously curated to travel one of the most exciting roads in B.C that leaves Victoria and ends in the Cowichan Valley. While traversing the stunning forests, mountains, and oceanside route, the rider will pause at four intentionally chosen locations of natural beauty called refugios.

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Inspired by Stanley Kubrick’s masterpiece, Barry Lyndon, Intemperance skims the controversial persona of Canada’s first literary celebrity to the United States, George Copway that includes a vexed re-enacment from his 1850 best-selling book, The Traditional History of the Ojibway Nation.

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Sugar Daddy follows the story of Darren - a wickedly talented and unconventional young musician who dreams of making music like nobody has ever heard before. But she’s broke,  and has no time to create. Desperate for cash, she signs up to a sugar daddy paid-dating website.

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The Embargo Project is an anthology of five short films by Canadian Indigenous women. The titles and artists include: Roberta by Caroline Monnet, Skyworld by Zoe Hopkins, Bihttoš (REBEL) by Elle-Máijá Tailfeathers, Intemperance by Lisa Jackson and Aviliaq (ENTWINED) by Alethea Arnaquq-Baril.

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Three teenagers form an unlikely bond on a road trip to nowhere in a wide open field behind a women's shelter. In a broken-down 1970's VW bus, upper-class-sixteen-year-old Josephine Nash, wise-beyond-her-years Kendra and urban-poet Cal invent their own private Utopia.

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Retake follows the journey of co-directors Gwaai Edenshaw (Haida) and Helen Haig-Brown (Tsilhqot'in) as they work to produce The Edge of the Knife, a feature-length film told entirely in the critically-endangered Haida language. The film tells the story of a traditional Haida legend, showcasing the Haida culture in many ways.

2018 / 24 mins / HD / Colour / Documentary





retake

Writer/Director: Kristi Lane Sinclair
Producer: Lori Lozinski
Executive Producer: Lisa Jackson
Director of Photography: Michael Bourquin
Editor: Lucius Dechausay
Produced in association with CBC
Executive in Charge of Production, CBC Docs: Lesley Birchard
Company: Violator Films Inc

"If we lose the language, we will no longer be Haida – Haida is the only thing that distinguishes us from other people." - Delores Churchill

Retake follows the journey of co-directors Gwaai Edenshaw (Haida) and Helen Haig-Brown (Tsilhqot'in) as they work to produce The Edge of the Knife, a feature-length film told entirely in the critically-endangered Haida language. The film tells the story of a traditional Haida legend, showcasing the Haida culture in many ways that have never been seen by a broad audience.

In this short documentary, you’ll meet the cast and crew of the film as they live, work and learn alongside Haida elders and speakers. Today, there are only 24 fluent Haida speakers left; many of the actors had to learn the language to learn their lines.

See the celebration — and the struggle — as Gwaai, Helen and a 56-person cast and crew seek to make a movie in the historic Haida village site of Yan. The islands of Haida Gwaii, off British Columbia’s west coast, have been home to the Haida people for thousands of years — the land, sea and forest sustain them. In 1862, a smallpox epidemic in BC devastated many communities and the effects of the illness still echo today. Yan itself suffered a 90 percent loss of its population. Survivors resettled in the nearby community of Masset where they were met with racist and genocidal government policies, seeking to assimilate the Haida people and erase their culture and language. The Haida people resisted; holding on to their way of life in secret, speaking their language quietly and behind closed doors.

In 2017, over 150 years later, Gwaai and Helen chose Yan for this ambitious film project; one that would help preserve and revitalize the Haida language. Retake offers an intimate behind-the-scenes look at the filming of The Edge of the Knife, including the challenges of working in a remote, formidable location and in a critically-endangered Indigenous language.

For the cast and crew, the project was an opportunity to learn or reconnect with the language that lives deep within themselves and Haida Gwaii. Directed by Kristi Lane Sinclair (Haida/Cree), this stunning film captures the difficulties and the joys of filmmaking and ultimately, the land and the language that make the Haida people who they are.



Violator Films Inc is a Vancouver based  independent film and television production company that has been telling maverick stories since 2007.